The Farewell (2019): The movie that hits too close to home

 

Hi! For the first film review I posted on my blog, I want to talk more about The Farewell (2019). It’s a great movie I watched back in the first half of 2020, and it saddened me because not many people around me watch it. I stumbled upon this movie because I saw Awkwafina as the cast, and since I enjoyed her acting in The Crazy Rich Asians (2018) I decided to give this movie a try.

The Farewell is a semi-autobiographical film adaptation of director Lulu Wang’s personal journey in dealing with her grandmother’s illness. The movie revolves around the life of Billi and her family who learn that Nai Nai (the grandmother) has just been diagnosed with Stage 4 lung cancer with the prognosis of only months to live. Believing that breaking the news would also break her spirit and hasten the inevitable, the family decided to keep the diagnosis from her. At the same time, they also decided to move up the timetable on her grandson’s wedding, giving the entire family a reason to visit China and say goodbye.

Wang’s film is clearly a labor of love and an introspective examination of mixed cultural identity. Awkwafina plays Billi, a fictionalized version of the director grappling with a secrecy dictated by tradition, caught between not only two cultures, but two generations. In an interview with Vox, Wang states: “…Yes, the movie’s about identity, but it’s more about what happens when you leave home. What are the values that you bring from the home that you left, and what are the values that you leave behind? What do you adopt? Those are questions about identity that go much, much deeper than the color of your skin and what you look like.”

I think this movie depicts the competing demands of filial duty, individual ambition and cultural identity of Billi, as a second generation immigrants, very well. Billi is bothered by the secrecy, both because it seems unethical to withhold information from a patient and because it means that she must counterfeit her own feelings, suppressing her grief in favor of forced joy. In America, Billi is told, the emphasis is on the individual, whereas in China family and community always come first. In one exchange from the film, Billi’s uncle (Jiang Yongbo) offers some heated words when she reaches a breaking point with the family’s big lie: 

“You think one’s life belongs to oneself. But that’s the difference between the East and the West. In the East, a person’s life is part of a whole.”
I feel this movie looks past the simplicities of right or wrong. Families, communities and individuals aren’t easily summed up in a few catchphrases, and life is rarely a matter of choosing sides.

Another reason why I like this movie, because it just hits too close to home. In 2018, I lost my grandmother to cancer and my family decided to leave her in the dark about her illness. There’s a saying, “Cancer patient died not because of the disease, they died because of their fear.” As I watch the film, it feels as if I was there. I can feel the sadness and the heaviness of their heart as they tried to look collected and fine on the outside. It's a great movie and I think everyone should watch it at least once.

References:
NY Times and Strange Harbors

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